There are places that “sound” like your own home. Around the world I have found a few, but the one where I really feel totally at home is a few steps from my place in Milan. Rossetti Records & Books second-hand store has been an institution for music (and book) lovers for over thirty years. Born from a “moment of rebellion & freedom” – as Maurizio Canella, a former philosophy student, tells me – the store near Piazza S. Agostino (via Cesare da Sesto 24), in the centre of Milan, has a strong fan base in town and all around Italy. In the Nineties Aron joined his father in the management of the store. In the music store the days are spent between tips on old vinyls (there are 100,000 titles in the archive) and chat about the ‘hoodies”. Writer Raul Montanari oftenkeeps Maurizio company. If you are in Milan and are looking for a place to regenerate yourself with Music, Rossetti is the place for you.
The street talks vs. the business of art. Italy criminalizes street art BUT supports the unofficial exhibition of an artist who belongs to the streets. [Shot taken with FujiFilm X30] #tvboy #banksy #streetart #nocompromise
There have been so many ways to narrate migrations. In the last century photography has recorded the stories of those people forced to abandon their lands of origin – because of war, globalization, famine etc. etc. The project of friend photographer Nino Romeo does not focus on people’s faces – the chosen solution by the press and the media – but he prefers to “interrogate” objects that were washed up or abandoned on the beaches. In 2016 Romeo turns up with his camera, a Nikon Coolpix P7800, on the iconic beaches and bays of Capo Teulada, South-west Sardinia, in the places where a landing occurred. Shoes, t-shirts, plastic bottles now faded by the Mediterranean sun seem to have become part of the local wilderness: there is a delicate sense of continuity between the human need/urgency to migrate and Mother Nature’s unchanging and apolitical welcome. Nino Romeo does not judge what he sees; but his twenty color frames launch a cry of alarm to civil society.
MATTEO CESCHI, Milanese street photographer, essayist and journalist, he writes for several magazines and has exhibited his shots in various locations. His latest book, Un’altra musica. L’america nella canzoni di protesta, was published in 2018 by Mimesis Edizioni. He is a member of f50/The International Photography Collective. His latest projects were in collaboration with f/50 fellows John Meehan, Steve Coleman, Keith Goldstein and Peter Barton and with the Italian fashion brand Lucio Costa. He received a honorable mention at the 2015 International Photography Awards. In 2016 he realized with colleague Jim Marshall KO.existence, a photographic project exhibited in Sarajevo and in 2017 in Milan (with high-patronage of the Italian Embassy in Bosnia and Herzegovina). In 2017 he was curator of an exhibition of historic photos entitled Unseen Sixties at ExpoWall gallery in Milan. In Spring 2017 he launched with creative designer Federico Ramponi remoteclicking, a new shooting language that exploits mobile technology. He was the author of the “making of” of artist and director Federico Garibaldi’s short film, Un filo tra cielo, terra e acqua, winner of the Silver Dolphin prize at the 2018 Cannes Corporate Media & TV Awards.
June 15, 2008. 66 years later I stepped on the same beach where Commonwealth and US soldiers fought and died against the Nazi army. At the time of my visit in Varengeville-sur-Mer a couple of tourists trekked on the seabed (low tide effect, you know), another one was sunbathing under the falaise. In the distance Dieppe calmly lived another day of peace. Nobody seemed to remember the sacrifice of the brave young men who in August 1942 defied Nazi domination over Europe. These five b&w never-published-before frames taken with a compact digital camera are my personal tribute to all the soldiers who fought “The Forgotten Battle for Freedom.” Thanks, boys! #fightfascism