ZUIKO 75MM F1.8 REVIEW IN OLYMPUS PASSION


In the Olympus Passion July 2020 issue you can find my article on Zuiko 75mm f1.8 lens with frames of crime-writer and playwright Sam Millar, Grammy awarded trumpeter Leon Kid Chocolate Brown, guitarist and singer Dave Blenkhorn, Black Lives Matter protest and more. ENJOY!

BLACK LIVES MATTER IN MILAN

Across the Atlantic Ocean but in reverse… Beyond the words of essayist Paul Gilroy and artist Johny Pitts, the Black Lives Matter movement shouts <STOP Police Violence… STOP Racism>. In Milan as in Minneapolis. Black and white frames that leave the beauty of the melting pot in my mind… Time ago Italian the band Almamegretta sang “Athena was black”… Today it’s right to remember our common history so as not to make mistakes again. (All shots taken with Olympus OM-D E-M5 + Zuiko 17mm f21.8 + Zuiko 75mm f1.8)

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Some b&w portraits taken in Milan of Belfast crime writer and playwright Sam Millar. The whole photographic session was played on the balance between lights and shadows, as in a thriller. Thanks Sam, see you soon! (All frames taken at Libreria Linea d’ombra, January 29, 2020 with Olympus OM-D E-M5 + Zuiko 75mm f1.8)

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BLACK LIVES MATTER

The photographer’s militant arm to support Black Lives Matter (Milan, June 2020)

F/50 NEW PHOTO PROJECT

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An unusual and exciting photo challenge launched by fellow Peter Barton: Photographers Favourite Pictures. ENJOY!

ARTESPRESSIONE PRESENTS MATTEO CESCHI’S “WINTER MIDSUMMER” PROJECT

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HI FOLKS, with my Winter Midsummer (Milan during Covid-19) photo essay a new collaboration starts with Paula Nora Seegy’s Artespressione Gallery, Milan. The project’s curator is Matteo Pacini who is following it as it develops.

ENJOY!

FREE DOWNLOAD: WINTER MIDSUMMER – MATTEO CESCHI – ENG

WHAT THE PARISIANS LET YOU SEE

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From the bistros to the streets, what the Parisians let you see is just a part of their everyday life. It’s a mind game – an “allowed theft” of moments and forbidden frames – that starts in the mind of the photographer. Paris as a hallway in a high-school: relate to a few schoolmates and ignore the rest of the world inside. Little Leica C Typ 112 is the perfect “invisible mate” to explore a reality which is apparently flat. High contrast black and white is the patois language allowing you to quickly understand and live the different situations around you. Everything that is happening in front of you can open the curtains of reality. A coffee with a friend; an ecological rally; perfect architectures and reflections; street art sketches; passers-by ad commuters. Even where the dark explodes, a blink of light survives for the photographer. Paris is… what the Parisians let you see, between the shadows and the lights.

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THE FUEL OF COMPETITION

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The crowd in the S.Siro South Stand moves and sings in unison, the team in heart and mind. But if you look closely at this three-dimensional mass, you can see the faces of the individual football supporters. Every face has a story. More than the football players’ performances, these faces have immediately attracted me and continue to attract me. These individual souls are the fuel of competition, but each also changes the dimension and profile of the mass. (All frames taken with Olympus OM-D E-M5)

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BREXIT COMIN’

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Just over a week to Brexit.
Brexit and Londoners show a hunched and at times uncertain gait.
This time I decided to abandon b&w and to choose color: I needed to record as much information as possible.
Through my lens colors became faded, people blurred.
Nobody seems to think about the future, they seem to prefer turning their backs on the troubling days to come.
I looked for the most frequent keywords used to describe Brexit in newspapers and… combined them with the frames.
BREXIT COMIN’… People remain…

ENJOY!

FREE DOWNLOAD PDF BOOK: BREXIT COMIN’

JESTO: ARTIST CHANGING SKIN

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Thanks to my friend rapper/actor/filmmaker Taiyo “HYST” Yamanouchi I had the chance to participate in a singer’s image change.
For his new album campaign, IndieJesto, Jesto, Hyst’s brother, not only chose to reappear on social networks with a completely different look, but he even changed musical genre shifting from rap to pop rock.
On a rainy November evening, I joined the crew led by HYST for the filming of a videoclip.
A quick briefing: they needed backstage shots in black and white and some “street” portraits, again in a high-contrast black and white; in short, they looked at creating a typical vintage atmosphere from other times.
The sets: a second-hand clothing store; a record store; the Navigli canal-sides; and a pub.
The characters: Jesto & friends, an acoustic guitar and pints of beers.
The film and photo crew: Me & HYST
Jesto’s natural attitude in his new skin made my work absolutely easy: I photographed the skin-changing live with my old FujiFilm X30 and I did it before the fans could realize what it would soon be.

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