UNA NOTTE DA ALPINI

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A long and happy night with the Alpini celebrating the 92th Adunata nazionale dell’Associazione nazionali alpini (Ana) in Milan. Don’t care about blur, fun is always on the move! (FujiFilm X30)

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ON AIR

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Yesterday on air with musician and DJ Giuseppe Fiori, DJ Paola Colombo, friend bluesman Joe Valeriano and author Aldo Pedron at Let’s Spend The Night Together, Radio Popolare FM 107.6. We talked about Joe’s exciting musical career and his artistic partnerships. BLUES ROCK POWER! (Fuji X100 + Huawei Y7 2019)

– PODCAST – 

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THE COOLEST CAMERA AT FUORI SALONE 2019

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My article dedicated to the Fuori Salone 2019 in the Fuji X Passion magazine. ENJOY!

RECORD STORE DAY 2019

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RECORD STORE DAY 2019: A real & exciting Music Experience with friend Italian bluesman Joe Valeriano, Egyptian blues-rocker Sammer Salah and friend rookie saxophonist Francesco Strassoldo at Rossetti Records & Books. VIVA LA MUSICA! MUSICIANS WITHOUT BORDERS!  (Shots taken with Fuji X100 + Olympus OM-D E-M5)

#RSD2019 #musicianswithoutborders

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THE SIENESE COUNTRYSIDE

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The end of August 2018. Five days in the Sienese countryside with my old Fuji X100. Colle Val d’Elsa was my headquarters. Day after day I visited Casole d’Elsa, Monteriggioni, Montalcino, Mensano, Sovicille, Rosia, Sant’Antimo and San Galgano… ENJOY my b&w tour!

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PEOPLE – PRIMA LE PERSONE

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Today (March 2) anti-racist rally in Milan with civil society organizations and DJ and political activist Simon Samaki Osagie. PEOPLE HAVE THE POWER! (Shots taken with Fuji X100)

#noborders #fuckracism #people #peoplehavethepower #democracy #resistance #primalepersone #antiracist #insiemesenzamuri

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THE MORANDI BRIDGE, GENOA

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Genoa, December 20, 2018: a whole day dedicated to a photo project. Subject: the collapsed Morandi Bridge. I was in town with a friend, creative designer Federico Ramponi. Guiding us via WhatsApp, the Genoese La7 journalist Paolo Colombo, who suggested most of the places we shot from.

With these 29 b&w shots, I want to play the sense of movement of pain and loss against the granitic immobility that dominates the ghost neighborhood’s streets and buildings under the bridge.

I tried to narrate the neighborhood with its bridge from different angles. The hills around the Polcevera stream have proved excellent observation points and allowed me to have a wider and more complete view of the disaster.

Once at home I realized that my shots possessed a sort of camouflage ability: while I was shooting, I continued unconsciously to see the bridge still intact in front of my camera. The horizon, the electric cables, the houses and the neighborhood with its silent architectural geometries have become substitutes for the missing section of the Morandi Bridge.

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