PEOPLE – PRIMA LE PERSONE

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Today (March 2) anti-racist rally in Milan with civil society organizations and DJ and political activist Simon Samaki Osagie. PEOPLE HAVE THE POWER! (Shots taken with Fuji X100)

#noborders #fuckracism #people #peoplehavethepower #democracy #resistance #primalepersone #antiracist #insiemesenzamuri

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THE MORANDI BRIDGE, GENOA

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Genoa, December 20, 2018: a whole day dedicated to a photo project. Subject: the collapsed Morandi Bridge. I was in town with a friend, creative designer Federico Ramponi. Guiding us via WhatsApp, the Genoese La7 journalist Paolo Colombo, who suggested most of the places we shot from.

With these 29 b&w shots, I want to play the sense of movement of pain and loss against the granitic immobility that dominates the ghost neighborhood’s streets and buildings under the bridge.

I tried to narrate the neighborhood with its bridge from different angles. The hills around the Polcevera stream have proved excellent observation points and allowed me to have a wider and more complete view of the disaster.

Once at home I realized that my shots possessed a sort of camouflage ability: while I was shooting, I continued unconsciously to see the bridge still intact in front of my camera. The horizon, the electric cables, the houses and the neighborhood with its silent architectural geometries have become substitutes for the missing section of the Morandi Bridge.

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LIVE ACT PHOTO SERVICE

Live Act Photo Service_by Fede

Are you in Milan with your band for a live show/showcase or a recording session?

I am a photographer/essayist/music journalist, member of f/50 The International Photography Collective.

I’ve been in the music business for more than twenty years. Now, I am a columnist for Swiss Pnp Magazine and for Indiana Music Magazine and a contributing author/photographer for Fuji X Passion and Olympus Passion magazines.

In my ROCK MUSIC ARCHIVES you can find people like Iggy Pop, Chris Cornell & Soundgarden, Wayne Kramer & MC5, Soft Machine and indie/underground musicians too.

If you are tired of the usual boring photo sessions, please contact me. In addition to the live performance I can also photograph all the soundcheck & backstage situations. (Photo: Me and Zara McFarlane at Blue Note, Milan, 2018 – by Federico Ramponi)

CONTACT: ceschimatteo@gmail.com

FRAMES OF KARL

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Frames of Karl, Milano, August 19, 2017 [FujiFilm X30]

#karllagerfeld

ROCK MUSIC ARCHIVES ON-LINE

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In the ROCK MUSIC ARCHIVES (click on the top right to find the menu) I collected all the shots I’ve taken over the years for various music magazines and websites. Currently, my frames are published in Swiss Pnp magazine, Fuji X Passion, Olympus Passion, and in Indiana Music Magazine.

You can find a selection of my ROCK MUSIC ARCHIVES shots (Soundgarden, Prince, Enrico Rava, Greg Dulli, Esperanza Spalding etc.) at ExpoWall Gallery, Milan.

Send any requests for usage rights, info or to buy fine art prints to ceschimatteo@gmail.com or to info@expowallgallery.com

 

ROMANTICKISS BY TD

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Observing the series of advertising posters modified directly in the street by artist TD it would be too easy to think about the music of KISS. But TD’s anarchist/punk approach suggests instead we combine his posters with Tricky’s urban rhythms. Armed with photocopies and a glue stick, TD transforms the dreamy boundaries of the aesthetics of Romanticism into a real provocation against the art system, which vacuumed the art born in the streets. Gene Simmons’s tongue caresses the vision of the past of modernity, then spits on it with the arrogance typical of punk. In front of a dog pound or in front of the city prison, TD’s RomanticKISS appears to rekindle the movement of Art.

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EAST END: FROM JACK LONDON’S EXPERIENCE TO BANKSY’S DISCIPLES

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The original idea for this photo project was to go looking for Jack London’s traces/footprints in the East End area – London visited the East End ‘hoods in the early twentieth century (see The People of the Abyss, 1903). Topography excepted, nothing remains of that early XXth century London.

Starting from the area of the docks and the London Docklands Museum (immortalized in the first two shots) I pursued my research in Spitalfields, Brick Lane and Whitechapel; very soon an initial disappointment was superseded by the curiosity for the “punk” scenarios/scenes that opened up in front of the lens (I shot with FujiFilm X30 and Fuji X100).

Maintaining a historic storytelling, I physically abandoned the first decade of the Twentieth Century and pushed myself closer, towards the present days. So, I discovered the disciples of Banksy (they could be disciples or… might very well be Mr. Banksy himself operating under new pseudonyms), along with melting pot scenes and punk/street attitude.

No Jack London traces were found, but I consider the famous American writer guided me in a subliminal way during a three-days photo walk. Without sinking into the abyss as he did – at the time, Jack London lived eighty days in the slums with the poorest people in London – I pushed myself beyond “the easy job” and I started to collect photos that interacted with each other (in pairs), turning the visual sketches into a document. Each couple of frames is a single voice in a wider story where social and architectural geometries blend or merge into each other.

London, late January 2019

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