JAZZ & SACRED SOUL KITCHEN (AND SOUL PHOTOGRAPHY)

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As a Jazz Ascona Festival press officer, I had the opportunity to meet many artists and chat with them. One evening while writing a press release, I was distracted by a spicy fragrance. While still trying to figure out where the good and intense fragrance came from, I heard the sound of a trumpet. It was a clear sound full of heart. The melody accompanied the growing perfume to perfection.

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I stopped writing and I followed the fragrance & sound down to the basement. The darkness was lit by a light. The kitchen door was open. Pamela Pierre Brown, the Gourmet Sacred Soul Kitchen chef, was committed to the stove; a little further, her husband Leon “Kid Chocolate” Brown saturated the scented gumbo air with the notes of his trumpet. That was my unrepeatable chance to capture the quintessence of jazz: a greeting and an unobtrusive gesture to indicate the digital camera I had with me. The session started. The whole kitchen was pervaded with Souls: Pamela’ s Soul; Kid Chocolate’s Soul; my colleague Simona’s Soul; and my Soul. The feeling was to be living a real jazz moment that we wouldn’t be able to find another time. No book could ever describe the scene in a realistic way. I hope my photo shooting maintained that soulful fragrance and reflected for the observer the melodies of New Orleans jazz. After all, even photography is a question of soul… Let’s jazz, let’s groove, let’s swing!

P.S. The day after musicians and Jazz Ascona staff sat in the kitchen and tasted Miss Pamela’s gumbo (and fried fish).

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A PHOTO REPORTAGE ON JAZZ ASCONA 2019 FOR THE “TESSINER ZEITUNG”

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June 28, 2019, a full page with a selection of my b&w frames dedicated to the Jazz Ascona Festival 2019 in Tessiner Zeitung newspaper. Some great musicians (friend New Orleans trumpeter Leroy Jones; Jazz poetess Othella Dallas; New Orleans Jazz Orchestra, etc.) portrayed in action. ENJOY!

<… ein paar Schnapppschüsse des offiziellen Festivalfotografen Matteo Ceschi, die mehr von der Magie eines einmaligen Festivals erzählen als tausend Worte.>

FOR MORE PICTURES SEE Le notti di Ascona flickr JAZZ ASCONA 2019 album

 

CARSON MCHONE – THE FULL PHOTO SESSION

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I’m very proud to see the interview with CARSON McHONE (and the shots I took with my FujiFilm X30) published in the Plug n’ play June 2019 issue. I’m equally proud to present on my blog the full series of b&w shots (and just one color frame) I took of Carson at Rough Trade East, London, during the Texan singer and guitarist’s showcase in early February 2019.

To enrich this post let me add Carson’s opinion on the role of photography in her career. As Carson told me: <If there’s this constant need for content then it’s important to think ahead, especially if you want some sort of coherent theme to your imagery. I am definitely not anywhere near where I’d like to be with this but recently I’ve started to really think about any photos I take or any photo shoots I do, to have some sort of unifying aesthetic or intent, so that when I do post these images to the rest of the world I can feel like it’s a representation of the art and not just cheap engagement.>

– IF YOU ARE INTERESTED IN BUYING FINE ART PRINTS PLEASE CONTACT EXPOWALL GALLERY

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WHEN ART COMES FROM THE STREETS

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Since the first large graffiti appeared on the walls of Philadelphia in the mid-Sixties as territorial warnings by the local gangs – see Jack Stewart’s Graffiti Kings. New York City Mass Transit Art of the 1970s (NY: Abrams, 2009) – street art has had a double “social” meaning: the first is the author’s; the second is the meaning that passers-by give to what they see.

As with a song – in particular topical/protest songs – the skill of passers-by in appropriating street works becomes the core of the street’s independent art system: the feeling that the artwork arouses stays on the wall in a lasting way and can also condition the author and influence works to come.

The dual nature of the street work – whether a painting, a graffiti, a stencil, etc. – places the photographer/observer in a condition of knowing both sides of the coin.

Observing a street artwork in a neighborhood instead of another makes a huge difference. Knowing a street artist and seeing him at work in the street helps even more to understand how in the last three decades an independent/underground art became the center of attention for collectors and art galleries all around the world.

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The series of black and white frames (taken with mirrorless cameras Fuji X100 and FujiFilm X30 and without the use of additional lights) were recorded in two moments: during the night, while artist Osmo Kalev created his work; and the day after when the work, whose title is RIOT, was already being lived by passers-by and curious people in the neighborhood – stickers and tags add new perspective to the work.

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ON AIR

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Yesterday on air with musician and DJ Giuseppe Fiori, DJ Paola Colombo, friend bluesman Joe Valeriano and author Aldo Pedron at Let’s Spend The Night Together, Radio Popolare FM 107.6. We talked about Joe’s exciting musical career and his artistic partnerships. BLUES ROCK POWER! (Fuji X100 + Huawei Y7 2019)

– PODCAST – 

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PAOLO RICCA & JOHN ETHERIDGE

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My pic of friend composer and musician Paolo Ricca and guitarist John Etheridge of Soft Machine in La Stampa daily newspaper (Shot taken with Fuji X100)

SEE article by Marco Basso.

RECORD STORE DAY 2019

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RECORD STORE DAY 2019: A real & exciting Music Experience with friend Italian bluesman Joe Valeriano, Egyptian blues-rocker Sammer Salah and friend rookie saxophonist Francesco Strassoldo at Rossetti Records & Books. VIVA LA MUSICA! MUSICIANS WITHOUT BORDERS!  (Shots taken with Fuji X100 + Olympus OM-D E-M5)

#RSD2019 #musicianswithoutborders

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