CARSON MCHONE – THE FULL PHOTO SESSION

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Carson McHone, Rough Trade East, London, January 31, 2019_00

I’m very proud to see the interview with CARSON McHONE (and the shots I took with my FujiFilm X30) published in the Plug n’ play June 2019 issue. I’m equally proud to present on my blog the full series of b&w shots (and just one color frame) I took of Carson at Rough Trade East, London, during the Texan singer and guitarist’s showcase in early February 2019.

To enrich this post let me add Carson’s opinion on the role of photography in her career. As Carson told me: <If there’s this constant need for content then it’s important to think ahead, especially if you want some sort of coherent theme to your imagery. I am definitely not anywhere near where I’d like to be with this but recently I’ve started to really think about any photos I take or any photo shoots I do, to have some sort of unifying aesthetic or intent, so that when I do post these images to the rest of the world I can feel like it’s a representation of the art and not just cheap engagement.>

– IF YOU ARE INTERESTED IN BUYING FINE ART PRINTS PLEASE CONTACT EXPOWALL GALLERY

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WHEN ART COMES FROM THE STREETS

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Since the first large graffiti appeared on the walls of Philadelphia in the mid-Sixties as territorial warnings by the local gangs – see Jack Stewart’s Graffiti Kings. New York City Mass Transit Art of the 1970s (NY: Abrams, 2009) – street art has had a double “social” meaning: the first is the author’s; the second is the meaning that passers-by give to what they see.

As with a song – in particular topical/protest songs – the skill of passers-by in appropriating street works becomes the core of the street’s independent art system: the feeling that the artwork arouses stays on the wall in a lasting way and can also condition the author and influence works to come.

The dual nature of the street work – whether a painting, a graffiti, a stencil, etc. – places the photographer/observer in a condition of knowing both sides of the coin.

Observing a street artwork in a neighborhood instead of another makes a huge difference. Knowing a street artist and seeing him at work in the street helps even more to understand how in the last three decades an independent/underground art became the center of attention for collectors and art galleries all around the world.

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The series of black and white frames (taken with mirrorless cameras Fuji X100 and FujiFilm X30 and without the use of additional lights) were recorded in two moments: during the night, while artist Osmo Kalev created his work; and the day after when the work, whose title is RIOT, was already being lived by passers-by and curious people in the neighborhood – stickers and tags add new perspective to the work.

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SKATING IN THE HOUSE

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Three plastic men skaters (by ToyBoarders Skateboarders) run around the house: from the fridge to the terrace they challenge gravity. (Shots by FujiFIlm X30)

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ON AIR

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Yesterday on air with musician and DJ Giuseppe Fiori, DJ Paola Colombo, friend bluesman Joe Valeriano and author Aldo Pedron at Let’s Spend The Night Together, Radio Popolare FM 107.6. We talked about Joe’s exciting musical career and his artistic partnerships. BLUES ROCK POWER! (Fuji X100 + Huawei Y7 2019)

– PODCAST – 

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PAOLO RICCA & JOHN ETHERIDGE

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My pic of friend composer and musician Paolo Ricca and guitarist John Etheridge of Soft Machine in La Stampa daily newspaper (Shot taken with Fuji X100)

SEE article by Marco Basso.

RECORD STORE DAY 2019

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RECORD STORE DAY 2019: A real & exciting Music Experience with friend Italian bluesman Joe Valeriano, Egyptian blues-rocker Sammer Salah and friend rookie saxophonist Francesco Strassoldo at Rossetti Records & Books. VIVA LA MUSICA! MUSICIANS WITHOUT BORDERS!  (Shots taken with Fuji X100 + Olympus OM-D E-M5)

#RSD2019 #musicianswithoutborders

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ME & MR. BRAINWASH

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The first time I’ve run into a Mr. Brainwash stencil I was in Paris with my wife. I was amused by the image of that man in a hat carrying a movie camera not far from a big size OBEY Angela Davis portrait. I took a couple of shots of Mr. Brainwash’s stencil. I like it. Two years later Mr. Brainwash would become a world famous street artist with his first personal exhibition in LA, Life Is Beautiful (2008). Almost thirteen years later, I have met by chance Mr. Brainwash in person, in front of Deodato Art Gallery, the  location he chose for his first Italian solo exhibition, Milan Is Beautiful. We said hello. We shook hands. And I told him about the discovery of the stencil in Paris in 2006. Very naturally Mr. Brainwash lent himself to an impromptu photo session in the street. Five shots – only one slightly blurred. Then each on his way…

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