Eyes on the Street, a new f/50 The International Photography Collective photo project with fellows Keith Goldstein and John Meehan. ENJOY!
SEE: Eyes on the Street!
A long and happy night with the Alpini celebrating the 92th Adunata nazionale dell’Associazione nazionali alpini (Ana) in Milan. Don’t care about blur, fun is always on the move! (FujiFilm X30)
Yesterday on air with musician and DJ Giuseppe Fiori, DJ Paola Colombo, friend bluesman Joe Valeriano and author Aldo Pedron at Let’s Spend The Night Together, Radio Popolare FM 107.6. We talked about Joe’s exciting musical career and his artistic partnerships. BLUES ROCK POWER! (Fuji X100 + Huawei Y7 2019)
The first time I’ve run into a Mr. Brainwash stencil I was in Paris with my wife. I was amused by the image of that man in a hat carrying a movie camera not far from a big size OBEY Angela Davis portrait. I took a couple of shots of Mr. Brainwash’s stencil. I like it. Two years later Mr. Brainwash would become a world famous street artist with his first personal exhibition in LA, Life Is Beautiful (2008). Almost thirteen years later, I have met by chance Mr. Brainwash in person, in front of Deodato Art Gallery, the location he chose for his first Italian solo exhibition, Milan Is Beautiful. We said hello. We shook hands. And I told him about the discovery of the stencil in Paris in 2006. Very naturally Mr. Brainwash lent himself to an impromptu photo session in the street. Five shots – only one slightly blurred. Then each on his way…
A Friend, an Ibrahim Mahama’s large-scale temporary installation (sponsored by Fondazione Nicola Trussardi/curated by curated by Massimiliano Gioni) in Milan. The Ghanese artist wrapped Porta Venezia Gateway with hundreds jute sacks. (Shots taken with Fuji X100)
<Through his research and the transformation of materials, Mahama investigates some of today’s most important issues: migration, globalization, and the circulation of goods and peoples across borders and between nations.> (A Friend press kit)
Genoa, December 20, 2018: a whole day dedicated to a photo project. Subject: the collapsed Morandi Bridge. I was in town with a friend, creative designer Federico Ramponi. Guiding us via WhatsApp, the Genoese La7 journalist Paolo Colombo, who suggested most of the places we shot from.
With these 29 b&w shots, I want to play the sense of movement of pain and loss against the granitic immobility that dominates the ghost neighborhood’s streets and buildings under the bridge.
I tried to narrate the neighborhood with its bridge from different angles. The hills around the Polcevera stream have proved excellent observation points and allowed me to have a wider and more complete view of the disaster.
Once at home I realized that my shots possessed a sort of camouflage ability: while I was shooting, I continued unconsciously to see the bridge still intact in front of my camera. The horizon, the electric cables, the houses and the neighborhood with its silent architectural geometries have become substitutes for the missing section of the Morandi Bridge.