REINVENTING THE “RESISTENZA” – THE PRESENT LOOKS AT THE PAST

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– FRIDAY, September 21, 2018
VIDEO PRESENTATION
University of Milano-Bicocca, Rectorate – Rodolfi Room, Building U6, IV Floor,
Piazza dell’Ateneo Nuovo 1, Milano –  9AM 

– SATURDAY, September 22, 2018 
WALKING SEMINAR
University of Milano-Bicocca, Piazza dell’Ateneo Nuovo 1, Milano – 10AM

 

Today, intolerance and ignorance seem to be common moods in reading the Italian Resistance, La Resistenza, and in general the national history.

A lot of people prefer to forget what the past can teach: that’s a conscious and opportunistic approach that becomes an everyday philosophy for those politicians who look for short-term consensus.

Ignorance, you know, is a powerful weapon in the hands of those people who have spent their lives climbing to get the power. There is no necessary link between leadership and the oblivion of the history: real leaders know very well the lessons of history and the social-economic context where they operate.

In the social media era the legacy of history is all too often considered optional and basically useless: tweet by tweet, the present in progress deletes any genuine knowledge of the past. Gentrification and urban changes/transformation help this corrosive action destroying and deconstructing personal and collective memories. Their landscape, their framework vanishes.

When professors Tatjana Sekulić and Roberto Moscati offered me the opportunity to develop a photographic project on La Resistenza in the Greco-Pirelli/Bicocca area all these considerations became part of and inspired my artistic quête. There were two obstacles that I had to face: first, the almost total lack of signs of those times in the neighborhood (the remaining elements are an old factory chimney and a commemorative plaque dedicated to the partisans killed by the fascists, but today closed inside the Pirelli’s headquarters); the second obstacle was that my background and my imagery are far from the facts I was asked to evoke, for a double generational reason, not only because of my age, which does not include me in any direct collective memory, but also because I am by choice aesthetically and intellectually closer to the Sixties and Seventies’ counterculture.

All this made the task difficult but not impossible.

The impossible access to the relics of the Resistenza era pushed me to look for a way to provoke the revival of the past in the people who would look at my shots. So I decided to approach the issue with my everyday street photography mood, to recreate a credible iconographic-historical scenario.

Straight on the target without compromises: high contrast black and white in camera – don’t forget, the few memories of La Resistenza in Milan are in black and white; well focused clicks; few post-production. In short words, straight photography as I usually do it: no will to tamper with the representation of reality, even if I know a representation is not a mirror reflection.

In my approach to photography I considered I could add a touch of theatrical performance (in the recent past I had a theatrical experience as writer/author): in some frames – recorded with the self-timer technique – I become part of the scene dressed in a total black suit as the ghost of an unknown partisan – in the Resistenza there were no heroes, simply men and women. The Bicocca university buildings, the Pirelli factory, the work sites and the streets were my stages; an abandoned bottle became an improvised weapon, a molotov cocktail.

At the exact moment of every single shot I had in mind keywords/guide words that I wanted to propose again during the video presentation of the project. They were just suggestions, personal mind sketches, I hope they can help the discussion and the debate.

As in other projects, I’ve embraced the photographic lesson of PROVOKE, a Japanese collective active in the late Sixties: “words have lost the material force that once held the reality” and the photographers “capture with their eyes the remaining vestiges of reality that words no longer reach.”

You too will agree that the power of an image is stronger than any word. So my keywords remain only shy “whisperers” to your eyes.

The video presentation of my work will be a preview of the walking seminar scheduled for the final day of the summer school. Seven of the pictures will be printed in large format and will accompany us on a short tour in the Greco-Pirelli/Bicocca neighborhood – the locations I chased in the mid of August for the shots. Professors and students will be invited to give their contributions to the revival of the Resistenza adding to the seven photos writings, thoughts, tags and drawings, etc.

My hope, before leaving you to the vision of the images, is that once you get home you’ll make this experiment yours and improve it.

There are no better eyes than those of others to take pictures, that’s an important lesson; there exists a multitude of eyes to see the world in different ways. That could be the first step to break the walls around the world.

 

2018 BICOCCA INTERNATIONAL SUMMER SCHOOL

DOWNLOAD THE FULL PROJECT: Reinventing the Resistenza

PHOTOS & CINEMA

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A day in the Veneto countryside with film director Angela Zorzi working on a documentary on local Resistance during WWII. Between photos (taken with my Nikon 1 J2), I found time to play the role of a Partisan, climbing on an old Taurus bicycle and shooting some sequences with the director’s camera near Montagnola, a beautiful fortress town.

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