Surviving time is not an easy task. Tom Barman – a voice somewhere between Bob Dylan and Eddie Vedder – succeeded with the dEUS and then with TaxiWars. During their latest show in Milan, Mr. Barman and TaxiWars pushed post-rock into the arms of free jazz, bewitching the audience. On stage, the songs from the new album, Artificial Horizon, opened the window and cleared the air of rock music. The band did not give up to a desire to feed their fans; TaxiWars played loud to convince those who still weren’t convinced of their music. In a rainy Milanese night the magic came true. Everybody survived the Nineties.
Storage could kill a frame. The mind of a photographer is always focused on shots to come. The shots then flee from memory until someone retrieves them. When Afterhours’ celebrative box set (book + 4 CDs) was released in 2017 I was deep in my photo projects so I hadn’t paid much attention to that record release dedicated to the band I had loved so much in the early 2000s. Two years later I bought the box set at a cheap price and I discovered that one of my shots had been included in the book.
The frame in question, taken in Milan, mid February 2003, portrayed the band in action at the Triennale Museum in Milan: it was a special live performance (2 sets) in the middle of an art installation inspired by Italian writer Italo Calvino’s book Città Invisibili. During the photo session (with a Pentax Espio) I took care to portray the scene comprehensively, showing the band really immersed in the art installation and in touch with the audience. Manuel Agnelli, the Afterhours frontman, appreciated my point of view and asked for prints for his personal archive. At the time I had some meetings and lunches with him because I was in contact with the indie label Afterhours signed with. That shot of the Afterhours’ Triennale performance is a lucky frame: it risked ending up lost in my photo archives but it was saved by a publishing project.
Below more pics from the Afterhours’ Triennale shows.
In FUJI X PASSION August 2019 issue you can find my b&w night reportage from JAZZASCONA 2019. If you love jazz music run to see my frames of Leroy Jones, Ashlin Parker, Ellen Birath, Nayo Jones, Othella Dallas, Michael Watson, Uli Wunner, Sax Gordon, Nico Duportal, etc. ENJOY!
I’m very proud to see the interview with CARSON McHONE (and the shots I took with my FujiFilm X30) published in the Plug n’ playJune 2019 issue. I’m equally proud to present on my blog the full series of b&w shots (and just one color frame) I took of Carson at Rough Trade East, London, during the Texan singer and guitarist’s showcase in early February 2019.
To enrich this post let me add Carson’s opinion on the role of photography in her career. As Carson told me: <If there’s this constant need for content then it’s important to think ahead, especially if you want some sort of coherent theme to your imagery. I am definitely not anywhere near where I’d like to be with this but recently I’ve started to really think about any photos I take or any photo shoots I do, to have some sort of unifying aesthetic or intent, so that when I do post these images to the rest of the world I can feel like it’s a representation of the art and not just cheap engagement.>
In my ROCK MUSIC ARCHIVES you can find people like Iggy Pop, Chris Cornell & Soundgarden, Wayne Kramer & MC5, Soft Machine and indie/underground musicians too.
If you are tired of the usual boring photo sessions, please contact me. In addition to the live performance I can also photograph all the soundcheck & backstage situations. (Photo: Me and Zara McFarlane at Blue Note, Milan, 2018 – by Federico Ramponi)