The original idea for this photo project was to go looking for Jack London’s traces/footprints in the East End area – London visited the East End ‘hoods in the early twentieth century (see The People of the Abyss, 1903). Topography excepted, nothing remains of that early XXth century London.
Starting from the area of the docks and the London Docklands Museum (immortalized in the first two shots) I pursued my research in Spitalfields, Brick Lane and Whitechapel; very soon an initial disappointment was superseded by the curiosity for the “punk” scenarios/scenes that opened up in front of the lens (I shot with FujiFilm X30 and Fuji X100).
Maintaining a historic storytelling, I physically abandoned the first decade of the Twentieth Century and pushed myself closer, towards the present days. So, I discovered the disciples of Banksy (they could be disciples or… might very well be Mr. Banksy himself operating under new pseudonyms), along with melting pot scenes and punk/street attitude.
No Jack London traces were found, but I consider the famous American writer guided me in a subliminal way during a three-days photo walk. Without sinking into the abyss as he did – at the time, Jack London lived eighty days in the slums with the poorest people in London – I pushed myself beyond “the easy job” and I started to collect photos that interacted with each other (in pairs), turning the visual sketches into a document. Each couple of frames is a single voice in a wider story where social and architectural geometries blend or merge into each other.
London, late January 2019
When politicians in bad faith play with the life of people, some men and women rise up against their lies. “Bremainers” or “Remainers” spend time every day in front of Westminster Hall trying to fight the widespread lack of information that is behind the outcome of the Brexit referendum. As Altiero Spinelli wrote in the Manifesto di Ventotene in 1941, only a free and united Europe will be able to fight against social inequalities and privileges. This series of pics is dedicated to all the gallant fighters I meet in a sunny late January morning in London. (shots taken with FujiFilm X30 e Fuji X100)
#fuckbadfaithpoliticians #europe #remain #bremain #stopbrexit #stopignorance
LONDON NOTES (late January 2018): a project of poetry and photography inspired by weather and people in the street… and beers. [all shots taken with FujiFilm X30 and Olympus OM-D E-M5]
A white queen in the middle of the night.
White Queen smokes and chats.
London as it is and London as it will be.
It will be sunny tomorrow.
Brexit or remain?
A well-chosen beer provides the answer.
Bad people go to hell? I don’t think so…
A Boy In Finsbury, London, late January 2018 [FujiFim X30]
48 hours – day and night – spent with my cameras in the streets of Lewisham, South-East London. Hoodies, people in the pub, local buses, and the railway station are targeted by my curious eyes. As usual, b&w mood is my favourite way to depict the world around me. [Shots taken with FujiFilm X30 and Olympus E-P2 + Zuiko 17mm, 2.8]