My questions and my frames (taken during JazzAscona 2019) for the interview with great Jamaican-American jazz pianist Monty Alexander in Plug n’ play Swiss music culture magazine. ENJOY! (Cover photo-retouch: Federica Beffumo)
What happens when Buddy Guy meets the Grateful Dead? The question may need to be corrected. Need to ask when does Buddy Guy’s blues meet the Grateful Dead’s psychedelic jam? The magic happened in Milan during the North Mississippi Allstars concert at Spazio Teatro 89. The band led by the Dickinson brothers – in the power trio version – performed a 2 hours and 15 minutes live show rejecting any “music label.” North Mississippi Allstars’ philosophy? Jamming, jamming and jamming. Following the mood of the evening, I started a photographic session interrupting myself often, to try to get even more in tune with the band’s vibes. Shot by shot I explored with my FujiFilm X30 the visual nuances of blues and rock. There is nothing better than frames supported by music, you know! Jamming, jamming and (photo) jamming!
In FUJI X PASSION August 2019 issue you can find my b&w night reportage from JAZZASCONA 2019. If you love jazz music run to see my frames of Leroy Jones, Ashlin Parker, Ellen Birath, Nayo Jones, Othella Dallas, Michael Watson, Uli Wunner, Sax Gordon, Nico Duportal, etc. ENJOY!
For more pics see Le notti di Ascona in Jazz Ascona Flickr albums!!!
As a Jazz Ascona Festival press officer, I had the opportunity to meet many artists and chat with them. One evening while writing a press release, I was distracted by a spicy fragrance. While still trying to figure out where the good and intense fragrance came from, I heard the sound of a trumpet. It was a clear sound full of heart. The melody accompanied the growing perfume to perfection.
I stopped writing and I followed the fragrance & sound down to the basement. The darkness was lit by a light. The kitchen door was open. Pamela Pierre Brown, the Gourmet Sacred Soul Kitchen chef, was committed to the stove; a little further, her husband Leon “Kid Chocolate” Brown saturated the scented gumbo air with the notes of his trumpet. That was my unrepeatable chance to capture the quintessence of jazz: a greeting and an unobtrusive gesture to indicate the digital camera I had with me. The session started. The whole kitchen was pervaded with Souls: Pamela’ s Soul; Kid Chocolate’s Soul; my colleague Simona’s Soul; and my Soul. The feeling was to be living a real jazz moment that we wouldn’t be able to find another time. No book could ever describe the scene in a realistic way. I hope my photo shooting maintained that soulful fragrance and reflected for the observer the melodies of New Orleans jazz. After all, even photography is a question of soul… Let’s jazz, let’s groove, let’s swing!
P.S. The day after musicians and Jazz Ascona staff sat in the kitchen and tasted Miss Pamela’s gumbo (and fried fish).
Since the first large graffiti appeared on the walls of Philadelphia in the mid-Sixties as territorial warnings by the local gangs – see Jack Stewart’s Graffiti Kings. New York City Mass Transit Art of the 1970s (NY: Abrams, 2009) – street art has had a double “social” meaning: the first is the author’s; the second is the meaning that passers-by give to what they see.
As with a song – in particular topical/protest songs – the skill of passers-by in appropriating street works becomes the core of the street’s independent art system: the feeling that the artwork arouses stays on the wall in a lasting way and can also condition the author and influence works to come.
The dual nature of the street work – whether a painting, a graffiti, a stencil, etc. – places the photographer/observer in a condition of knowing both sides of the coin.
Observing a street artwork in a neighborhood instead of another makes a huge difference. Knowing a street artist and seeing him at work in the street helps even more to understand how in the last three decades an independent/underground art became the center of attention for collectors and art galleries all around the world.
The series of black and white frames (taken with mirrorless cameras Fuji X100 and FujiFilm X30 and without the use of additional lights) were recorded in two moments: during the night, while artist Osmo Kalev created his work; and the day after when the work, whose title is RIOT, was already being lived by passers-by and curious people in the neighborhood – stickers and tags add new perspective to the work.
A long and happy night with the Alpini celebrating the 92th Adunata nazionale dell’Associazione nazionali alpini (Ana) in Milan. Don’t care about blur, fun is always on the move! (FujiFilm X30)
Yesterday on air with musician and DJ Giuseppe Fiori, DJ Paola Colombo, friend bluesman Joe Valeriano and author Aldo Pedron at Let’s Spend The Night Together, Radio Popolare FM 107.6. We talked about Joe’s exciting musical career and his artistic partnerships. BLUES ROCK POWER! (Fuji X100 + Huawei Y7 2019)