AN HOUR OUTSIDE IN THE MARAIS

 

Paris 35mm 2019_01 72

Occasionally I decide to go out with an old 35mm camera… This happens now and then. I don’t have a wish to feel like Cartier Bresson, you see?
Maybe it’s because of Paris itself that I took out my Yashica GSN Electro 35 and went down in the streets of the Marais.
One hour was enough: the old Yashica GSN weighs a lot, but its autofocus was fast enough to capture the different souls of the neighborhood. 35mm “language” is different, perhaps today few understand its aesthetics… (a Rollei RPX400 roll film loaded in camera).

Prove a 35mm, Milano, late October 2019 72

Paris 35mm 2019_02 72

Paris 35mm 2019_03 72

Paris 35mm 2019_04 72

Paris 35mm 2019_06 72

Paris 35mm 2019_09 72

Paris 35mm 2019_08 72

Paris 35mm 2019_10 72

 

EXTINCTION REBELLION IN PARIS

 

PRS_13 72

A village.
A real village, built at the Châtelet, in the center of Paris.
It is a real village – I wouldn’t call it simply an encampment – fully equipped to facilitate the permanence of the Extinction Rebellion people.

PRS_11 72

PRS_14 72

PRS_16 72

PRS_17 72

PRS_19 72

PRS_23 72

There are tents, small yurtas, improvised but well-tended gardens, spaces dedicated to debates; toilets, meeting points, a medical center and even a cellar; and a gratuiterie where warm clothes are available in case of a cold night.
The slogans are as varied and colorful as the new residents of Châtelet. Some “hardcore” mottoes; and more reasoned ones. The main goal is printed on the banner that crosses the rue de Rivoli at the corner of Boulevard Sébastopol where the crowd is. “CHANGE OF PRIORITY.” Accordingly, the symbol of the movement is a stylized hourglass.

PRS_25 72

The prefecture has banned the rally scheduled for the morning. It doesn’t matter. The rebels soon reorganize, call a meeting right under the banner.
There is no shadow of the gilet jaunes here: just some hasty tags on a bus shelter. Gilets orange are what the people of the order service are wearing, and peaceful protesters are on stage.

PRS_24 72

After adjusting the amplification system, a skinny and whiskered blond young man takes the microphone and starts a rap with ecological rhymes for the crowd that is beginning to gather.
His militant lyrics reach beyond the Fontaine du Châtelet to the Pont au Change, which is blocked at the end of the Quai de l’Horloge by the offshoots of the Extinction Rebellion village.
While two young men are intent on cleaning the stone parapet of the old bridge, smudged by tags, a gilet orange shows an alternative way to the Île de la Cité to an Asian tourist in fluent English. Two dogs play nearby following in the footsteps of passers-by while their masters kneel on the pavement creating new tatzebaos.
Persons who are just curious mingle with activists. Someone asks questions. Someone else takes pictures. Here and there you can see the discreet presence of reporters ready to collect impressions and news on the events of the day.
In rue de Rivoli a lady in a raincoat is bent over the asphalt intent on leaving a mark of her militant participation: “REBEL FOR LIFE.” On a window “ANIMAL REBELLION – INSURRECTION – STOP FARMING/LIVESTOCK AND FISHING.” To partially shade an igloo tent decorated with a red and black ladybug-style motif another banner announces: “HERE WE CULTIVATE.” Less than ten meters away, a field with timid plants sprouting out of the humid dark soil.

PRS_42 72

PRS_43 72

PRS_46 72

PRS_47 72

PRS_48 72

PRS_58 72

The attention returns to the rue de Rivoli where the young rapper calls another person to the center of the scene.
A girl announces the name of Carola Rackete.
The brave German captain of the rescue boat Sea Watch 3 timidly emerges from the crowd with her long dreads. She smiles as she advances with a firm step. The signs of the judicial events of the summer – linked to the rescue of migrants in the middle of the Mediterranean Sea – left memories on her young face. Her eyes reveal the ideals in which she believes and for which she fights.
She greets everybody and announces that she will make her speech in French, apologizing for her pronunciation, holding a smartphone with the text of her speech.
Carola speaks for about ten minutes: she tells about her commitment to the environmental cause – she spent time at the North Pole studying the effects of pollution on ice – and underlines how the phenomenon of migration has always been linked to environment and climate changes. Saving people at sea is simply the logical consequence of her environmental activism.
Everyone listens.
Someone is preparing a question.
I take some pictures.
I take one frame in particular.
At the back of my mind a painting preserved in the Louvre Museum, just a few hundred meters from where we stand.
A fraction of a second before the CLIC and everything is done!
Carola Rackete magically enters in a black-and-white version of Le Radeau de la Méduse (1818-19) by Théodore Géricault – the painting depicting a tragedy at sea which at the time had a great international impact.
Or maybe I just imagined seeing one of Lucas Cranach’s Madonnas…Painting and photography… Past and present.

PRS_41 72

PRS_84 72

PRS_89 72

PRS_91 72

Looking at the black writing on the side gate of the Théâtre de Ville, which is all wrapped up for restoration, it would seem that the future also looks back to the past: “1871 VIVA THE COMMUNE!”
Perfectly complementary to the “OUR DESIRES PROVIDE DISORDER” graffiti which I had come across a few hours earlier near the Pompidou Center.

PRS_88 72

PRS_78 72

 

ME & MR. BRAINWASH

Mr. Brainwash in Paris, June 2006 72

The first time I’ve run into a Mr. Brainwash stencil I was in Paris with my wife. I was amused by the image of that man in a hat carrying a movie camera not far from a big size OBEY Angela Davis portrait. I took a couple of shots of Mr. Brainwash’s stencil. I like it. Two years later Mr. Brainwash would become a world famous street artist with his first personal exhibition in LA, Life Is Beautiful (2008). Almost thirteen years later, I have met by chance Mr. Brainwash in person, in front of Deodato Art Gallery, the  location he chose for his first Italian solo exhibition, Milan Is Beautiful. We said hello. We shook hands. And I told him about the discovery of the stencil in Paris in 2006. Very naturally Mr. Brainwash lent himself to an impromptu photo session in the street. Five shots – only one slightly blurred. Then each on his way…

Mr. Brainwash, Milano, April 2, 2019_01 72

Mr. Brainwash, Milano, April 2, 2019_02 72

Mr. Brainwash, Milano, April 2, 2019_04 72

Mr. Brainwash, Milano, April 2, 2019_03 72

 

 

FORUM DES HALLES

forum-des-halles-paris-mid-november-2016

Forum des Halles, Paris, mid November 2016 [FujiFilm X30]

AUTOMNE SUR LE PONT D’ARCOLE

Automne sur le Pont D’Arcole, Paris, late November 2016 [FujiFilm X30]

PREVIOUSLY UNPUBLISHED “STOP CPE” SHOTS

collage-stop-cpe-sorbonne-paris-early-march-2006-72

Paris. March 2006. Students from universities and high schools launched a series of protest rallies in the Latin Quarter against the bill on employment known as CPE. Sorbonne University and Collège de France were the epicenter of the protest. The CPE reportage is my first official professional photo project realized with a super compact and portable Kodak Easyshare C300 camera. Here are published for the first time some unpublished shots of my reportage.

stop-cpe-06_01-72

stop-cpe-06_02-72

stop-cpe-06_03-72

stop-cpe-06_06-72

LES SITUATIONS

Les situations, Paris, late November 2016 [Olympus E-P2]