DIFFERENT LIGHTS

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Different Lights. Dark suns reflections as wet streets blink in the night. Maybe my photography sounds as magenta color pornography. Tonight – in my 40 minute photo safari – I don’t care about sharpness but I indulge an ephemeral desire to see and feel my different lights.

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BOATS WITH NO SEA

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Boats can remain in the harbor without sailors. Boats can be abandoned at the mercy of marine currents. But a sea-less boat must make people think. A ship with no sea attracts attention and suggests questions about its dry fate. Why does it lie there on dry land after a lifetime in the water? Who was its captain? Who were its sailors? And its passengers? The camera lens records the fate of these boats with no sea and tries to give them back a poetic fate. The camera lens imagines new ports and new sea routes for them. How many lives could these ships with no sea save?

All frames taken in Naxos, Greece, with Fuji X100 and Ricoh GX100

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A PHOTO REPORTAGE ON JAZZ ASCONA 2019 FOR THE “TESSINER ZEITUNG”

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June 28, 2019, a full page with a selection of my b&w frames dedicated to the Jazz Ascona Festival 2019 in Tessiner Zeitung newspaper. Some great musicians (friend New Orleans trumpeter Leroy Jones; Jazz poetess Othella Dallas; New Orleans Jazz Orchestra, etc.) portrayed in action. ENJOY!

<… ein paar Schnapppschüsse des offiziellen Festivalfotografen Matteo Ceschi, die mehr von der Magie eines einmaligen Festivals erzählen als tausend Worte.>

FOR MORE PICTURES SEE Le notti di Ascona flickr JAZZ ASCONA 2019 album

 

F/50 PROJECT “EYES ON THE STREET”

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Eyes on the Street, a new f/50 The International Photography Collective photo project with fellows Keith Goldstein and John Meehan. ENJOY!

SEE: Eyes on the Street!

SKATING IN THE HOUSE

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Three plastic men skaters (by ToyBoarders Skateboarders) run around the house: from the fridge to the terrace they challenge gravity. (Shots by FujiFIlm X30)

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ALLA RICERCA DI UNO SPAZIO CULTURALE

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Each of us has dreamed once as a child of being an astronaut. Years after those reveries, a typical reading lamp from the Seventies and a rubber action figure bring back the childish dream. My FujiFilm X30 did the rest. The sidereal space is now ready to be conquered…

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THE MORANDI BRIDGE, GENOA

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Genoa, December 20, 2018: a whole day dedicated to a photo project. Subject: the collapsed Morandi Bridge. I was in town with a friend, creative designer Federico Ramponi. Guiding us via WhatsApp, the Genoese La7 journalist Paolo Colombo, who suggested most of the places we shot from.

With these 29 b&w shots, I want to play the sense of movement of pain and loss against the granitic immobility that dominates the ghost neighborhood’s streets and buildings under the bridge.

I tried to narrate the neighborhood with its bridge from different angles. The hills around the Polcevera stream have proved excellent observation points and allowed me to have a wider and more complete view of the disaster.

Once at home I realized that my shots possessed a sort of camouflage ability: while I was shooting, I continued unconsciously to see the bridge still intact in front of my camera. The horizon, the electric cables, the houses and the neighborhood with its silent architectural geometries have become substitutes for the missing section of the Morandi Bridge.

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