My questions and my frames (taken during JazzAscona 2019) for the interview with great Jamaican-American jazz pianist Monty Alexander in Plug n’ play Swiss music culture magazine. ENJOY! (Cover photo-retouch: Federica Beffumo)
Jorge Agustín Nicolás Ruiz de Santayana y Borrás wrote: <A man’s feet must be planted in his country, but his eyes should survey the world.> This quote came to my mind as soon as I met Vancouverite songwriter Bocephus King at Ponkj bar in Milan.
That’s the reason I decided to take a bunch of shots before the live show began: I was curious to see what his eyes could tell me and how they kept surveying the world.
A few shots were enough to obtain amazing postcards from Bocephus King’s world.
Then there was a friendly chat – I’m a Vancouver lover.
The concert has begun and Bocephus King’s eyes have continuously surveyed and narrated the world. His feet were at the same time in Canada and in Milan when he started to sing Bonnie Dobson’s Morning Dew…
By its own nature jazz music is traditional/ist but jazz also knows how to find new directions for the future. During Ben Williams & Sound Effect’s recent show at Jazz Cat Club Ascona, jazz music has brilliantly proved it is capable to possess a vision that goes beyond the teachings of the past. In Ascona, composer, singer and bass player Williams presented his own idea of jazz. He enchanted the audience with a sonic melting pot: neo-soul, sampling, but also Beatles, Radiohead and Bob Dylan covers turned on the show. At the end of the performance, an emotional “The Death of Emmet Till” rendition showed how much the past is necessary to move in the present and imagine a cultural and social future. (All frames taken with Olympus OM-D E-M5 + Zuiko 75mm f1.8)
What happens when Buddy Guy meets the Grateful Dead? The question may need to be corrected. Need to ask when does Buddy Guy’s blues meet the Grateful Dead’s psychedelic jam? The magic happened in Milan during the North Mississippi Allstars concert at Spazio Teatro 89. The band led by the Dickinson brothers – in the power trio version – performed a 2 hours and 15 minutes live show rejecting any “music label.” North Mississippi Allstars’ philosophy? Jamming, jamming and jamming. Following the mood of the evening, I started a photographic session interrupting myself often, to try to get even more in tune with the band’s vibes. Shot by shot I explored with my FujiFilm X30 the visual nuances of blues and rock. There is nothing better than frames supported by music, you know! Jamming, jamming and (photo) jamming!
I’m very proud to see the interview with CARSON McHONE (and the shots I took with my FujiFilm X30) published in the Plug n’ play June 2019 issue. I’m equally proud to present on my blog the full series of b&w shots (and just one color frame) I took of Carson at Rough Trade East, London, during the Texan singer and guitarist’s showcase in early February 2019.
To enrich this post let me add Carson’s opinion on the role of photography in her career. As Carson told me: <If there’s this constant need for content then it’s important to think ahead, especially if you want some sort of coherent theme to your imagery. I am definitely not anywhere near where I’d like to be with this but recently I’ve started to really think about any photos I take or any photo shoots I do, to have some sort of unifying aesthetic or intent, so that when I do post these images to the rest of the world I can feel like it’s a representation of the art and not just cheap engagement.>
– IF YOU ARE INTERESTED IN BUYING FINE ART PRINTS PLEASE CONTACT EXPOWALL GALLERY
Are you in Milan with your band for a live show/showcase or a recording session?
I am a photographer/essayist/music journalist, member of f/50 The International Photography Collective.
I’ve been in the music business for more than twenty years. Now, I am a columnist for Swiss Pnp Magazine and for Indiana Music Magazine and a contributing author/photographer for Fuji X Passion and Olympus Passion magazines.
In my ROCK MUSIC ARCHIVES you can find people like Iggy Pop, Chris Cornell & Soundgarden, Wayne Kramer & MC5, Soft Machine and indie/underground musicians too.
If you are tired of the usual boring photo sessions, please contact me. In addition to the live performance I can also photograph all the soundcheck & backstage situations. (Photo: Me and Zara McFarlane at Blue Note, Milan, 2018 – by Federico Ramponi)
In the ROCK MUSIC ARCHIVES (click on the top right to find the menu) I collected all the shots I’ve taken over the years for various music magazines and websites. Currently, my frames are published in Swiss Pnp magazine, Fuji X Passion, Olympus Passion, and in Indiana Music Magazine.
Send any requests for usage rights, info or to buy fine art prints to email@example.com or to firstname.lastname@example.org