GYPSY BOY A.K.A. SNATCH

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Gypsy Boy a.k.a. Snatch (self-portrait), Milano, late June 2015 [Sony α3000]

A couple of shots inspired by Guy Ritchie’s Snatch character Mickey O’Neil.

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BLUES IN BLACK & WHITE

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Friend bluesman Joe Colombo during his 2015 winter solo shows at Teatro LabArca in Milan. This is a selection from a series taken with amazing Sony α 3000.

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ARTE DOPO IL TEMPORALE

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Arte dopo il temporale, Milano, early October 2016 [Sony α 3000]

“Autumn is a second spring when every leaf is a flower.” (Albert Camus, Caligula and Three Other Plays, Justin O’Brien, trans., New York, Knopf, 1966)

SO LUCIO!

SO LUCIO

I’m proud to announce, as one of the contributors, the release of the book dedicated to milanese fashion stylist Lucio Costa. In the volume, edited by friend Roberto Pelizzoni, you can read my historical essay on the 1980s in Milan and see a couple of b&w fashion shots taken in my raw street mood. ENJOY IT!

You are invited to the presentation of the SO LUCIO!Lucio Costa biographical book, and of the SS17 Capsule Collection

Tonight, Friday, September 23, 7-10 PM

ENTRATA LIBERA, Corso Indipendenza 16, Milano

THE ETERNAL RUNNER

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The Eternal Runner, Milano, late June 2016 [Sony α 3000]

COMPAGNA DI VIAGGIO

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Compagna di viaggio, Milano, mid June 2016 [Sony α 3000]

CONCRETE & SOUL – A VISION OF S. AMBROGIO TWIN NEIGHBORHOODS

 

CONCRETE & SOUL

I set out to dedicate a series of shots to the two neighborhoods designed by Milanese architect Arrigo Arrighetti (1922-1989) and built between 1962 and the early seventies, in the south-west of Milan.

Three reasons have guided me in this choice. First: my parents live in the area. Second: I had in mind an early Seventies shot by Uliano Lucas – a flock of sheep in front of one of the two housing projects. Third: I have always been fascinated by the unusual urban coexistence of vegetation and concrete – both neighborhoods contain, in fact, common green areas and are still partially surrounded by undeveloped areas.

With these guidelines in mind I started shooting in November 2011 and, just recently, I completed the project (though I might continue shooting in the area). These shots, taken with different digital cameras, by day and at night, aim at seizing on the one hand the simplicity of Arrighetti’s “neo-pagan” architectural lines – the only human presence in my reportage – and on the other to relate them to the anarchist soul of an unexpected wilderness.

CONCRETE & SOUL free PDF

 

Below some shots from CONCRETE & SOUL series:

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