Occasionally I decide to go out with an old 35mm camera… This happens now and then. I don’t have a wish to feel like Cartier Bresson, you see?
Maybe it’s because of Paris itself that I took out my Yashica GSN Electro 35 and went down in the streets of the Marais.
One hour was enough: the old Yashica GSN weighs a lot, but its autofocus was fast enough to capture the different souls of the neighborhood. 35mm “language” is different, perhaps today few understand its aesthetics… (a Rollei RPX400 roll film loaded in camera).
Different Lights. Dark suns reflections as wet streets blink in the night. Maybe my photography sounds as magenta color pornography. Tonight – in my 40 minute photo safari – I don’t care about sharpness but I indulge an ephemeral desire to see and feel my different lights.
RECORD STORE DAY 2019: A real & exciting Music Experience with friend Italian bluesman Joe Valeriano, Egyptian blues-rocker Sammer Salah and friend rookie saxophonist Francesco Strassoldo at Rossetti Records & Books. VIVA LA MUSICA! MUSICIANS WITHOUT BORDERS! (Shots taken with Fuji X100 + Olympus OM-D E-M5)
The first time I’ve run into a Mr. Brainwash stencil I was in Paris with my wife. I was amused by the image of that man in a hat carrying a movie camera not far from a big size OBEY Angela Davis portrait. I took a couple of shots of Mr. Brainwash’s stencil. I like it. Two years later Mr. Brainwash would become a world famous street artist with his first personal exhibition in LA, Life Is Beautiful (2008). Almost thirteen years later, I have met by chance Mr. Brainwash in person, in front of Deodato Art Gallery, thelocation he chose for his first Italian solo exhibition, Milan Is Beautiful. We said hello. We shook hands. And I told him about the discovery of the stencil in Paris in 2006. Very naturally Mr. Brainwash lent himself to an impromptu photo session in the street. Five shots – only one slightly blurred. Then each on his way…
A Friend, an Ibrahim Mahama’s large-scale temporary installation (sponsored by Fondazione Nicola Trussardi/curated by curated by Massimiliano Gioni) in Milan. The Ghanese artist wrapped Porta Venezia Gateway with hundreds jute sacks. (Shots taken with Fuji X100)
<Through his research and the transformation of materials, Mahama investigates some of today’s most important issues: migration, globalization, and the circulation of goods and peoples across borders and between nations.> (A Friend press kit)