AN HOUR OUTSIDE IN THE MARAIS

 

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Occasionally I decide to go out with an old 35mm camera… This happens now and then. I don’t have a wish to feel like Cartier Bresson, you see?
Maybe it’s because of Paris itself that I took out my Yashica GSN Electro 35 and went down in the streets of the Marais.
One hour was enough: the old Yashica GSN weighs a lot, but its autofocus was fast enough to capture the different souls of the neighborhood. 35mm “language” is different, perhaps today few understand its aesthetics… (a Rollei RPX400 roll film loaded in camera).

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WHEN F/50 COLLECTIVE MEMBERS MEET – LONDON 2019

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Me & Steve Coleman around Central London, late January 2019. Finally I meet my f/50 The International Photography Collective friend in person. ENJOY!

EAST END: FROM JACK LONDON’S EXPERIENCE TO BANKSY’S DISCIPLES

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The original idea for this photo project was to go looking for Jack London’s traces/footprints in the East End area – London visited the East End ‘hoods in the early twentieth century (see The People of the Abyss, 1903). Topography excepted, nothing remains of that early XXth century London.

Starting from the area of the docks and the London Docklands Museum (immortalized in the first two shots) I pursued my research in Spitalfields, Brick Lane and Whitechapel; very soon an initial disappointment was superseded by the curiosity for the “punk” scenarios/scenes that opened up in front of the lens (I shot with FujiFilm X30 and Fuji X100).

Maintaining a historic storytelling, I physically abandoned the first decade of the Twentieth Century and pushed myself closer, towards the present days. So, I discovered the disciples of Banksy (they could be disciples or… might very well be Mr. Banksy himself operating under new pseudonyms), along with melting pot scenes and punk/street attitude.

No Jack London traces were found, but I consider the famous American writer guided me in a subliminal way during a three-days photo walk. Without sinking into the abyss as he did – at the time, Jack London lived eighty days in the slums with the poorest people in London – I pushed myself beyond “the easy job” and I started to collect photos that interacted with each other (in pairs), turning the visual sketches into a document. Each couple of frames is a single voice in a wider story where social and architectural geometries blend or merge into each other.

London, late January 2019

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ONCE AGAIN IN SARAJEVO

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Once again… I’m very proud to participate in the 2019 International Summer School Bicocca, Sarajevo (BH), September 16-22. Hey folks, I’m ready for a new photo exhibition with friend Jim Marshall. Stay tuned for more news! (Poster shot: Sarajevo, late September 2016 – FujiFilm X30)

ROSSETTI RECORDS & BOOKS: THE PLACE WHERE I REALLY FEEL AT HOME

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There are places that “sound” like your own home. Around the world I have found a few, but the one where I really feel totally at home is a few steps from my place in Milan. Rossetti Records & Books second-hand store has been an institution for music (and book) lovers for over thirty years. Born from a “moment of rebellion & freedom” – as Maurizio Canella, a former philosophy student, tells me – the store near Piazza S. Agostino (via Cesare da Sesto 24), in the centre of Milan, has a strong fan base in town and all around Italy. In the Nineties Aron joined his father in the management of the store. In the music store the days are spent between tips on old vinyls (there are 100,000 titles in the archive) and chat about the ‘hoodies”. Writer Raul Montanari often  keeps Maurizio company. If you are in Milan and are looking for a place to regenerate yourself with Music, Rossetti is the place for you.  

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COSE PASSATE SOTTO GLI ARCHI

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Cose passate sotto gli archi, Milano, early November 2018 [Olympus OM-D E-M5]

ESPERIMENTO DI RESISTENZA

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Esperimento di Resistenza, Milano, November 10, 2018 [Samsumg EX-1]