My questions and my frames (taken during JazzAscona 2019) for the interview with great Jamaican-American jazz pianist Monty Alexander in Plug n’ play Swiss music culture magazine. ENJOY! (Cover photo-retouch: Federica Beffumo)
By its own nature jazz music is traditional/ist but jazz also knows how to find new directions for the future. During Ben Williams & Sound Effect’s recent show at Jazz Cat Club Ascona, jazz music has brilliantly proved it is capable to possess a vision that goes beyond the teachings of the past. In Ascona, composer, singer and bass player Williams presented his own idea of jazz. He enchanted the audience with a sonic melting pot: neo-soul, sampling, but also Beatles, Radiohead and Bob Dylan covers turned on the show. At the end of the performance, an emotional “The Death of Emmet Till” rendition showed how much the past is necessary to move in the present and imagine a cultural and social future. (All frames taken with Olympus OM-D E-M5 + Zuiko 75mm f1.8)
In FUJI X PASSION August 2019 issue you can find my b&w night reportage from JAZZASCONA 2019. If you love jazz music run to see my frames of Leroy Jones, Ashlin Parker, Ellen Birath, Nayo Jones, Othella Dallas, Michael Watson, Uli Wunner, Sax Gordon, Nico Duportal, etc. ENJOY!
For more pics see Le notti di Ascona in Jazz Ascona Flickr albums!!!
As a Jazz Ascona Festival press officer, I had the opportunity to meet many artists and chat with them. One evening while writing a press release, I was distracted by a spicy fragrance. While still trying to figure out where the good and intense fragrance came from, I heard the sound of a trumpet. It was a clear sound full of heart. The melody accompanied the growing perfume to perfection.
I stopped writing and I followed the fragrance & sound down to the basement. The darkness was lit by a light. The kitchen door was open. Pamela Pierre Brown, the Gourmet Sacred Soul Kitchen chef, was committed to the stove; a little further, her husband Leon “Kid Chocolate” Brown saturated the scented gumbo air with the notes of his trumpet. That was my unrepeatable chance to capture the quintessence of jazz: a greeting and an unobtrusive gesture to indicate the digital camera I had with me. The session started. The whole kitchen was pervaded with Souls: Pamela’ s Soul; Kid Chocolate’s Soul; my colleague Simona’s Soul; and my Soul. The feeling was to be living a real jazz moment that we wouldn’t be able to find another time. No book could ever describe the scene in a realistic way. I hope my photo shooting maintained that soulful fragrance and reflected for the observer the melodies of New Orleans jazz. After all, even photography is a question of soul… Let’s jazz, let’s groove, let’s swing!
P.S. The day after musicians and Jazz Ascona staff sat in the kitchen and tasted Miss Pamela’s gumbo (and fried fish).
June 28, 2019, a full page with a selection of my b&w frames dedicated to the Jazz Ascona Festival 2019 in Tessiner Zeitung newspaper. Some great musicians (friend New Orleans trumpeter Leroy Jones; Jazz poetess Othella Dallas; New Orleans Jazz Orchestra, etc.) portrayed in action. ENJOY!
<… ein paar Schnapppschüsse des offiziellen Festivalfotografen Matteo Ceschi, die mehr von der Magie eines einmaligen Festivals erzählen als tausend Worte.>
FOR MORE PICTURES SEE Le notti di Ascona flickr JAZZ ASCONA 2019 album
I took this series of shots during the first day of Bellinzona Blues Sessions 2018. Waiting for the performances on the main stage (Band of Brothers with friend drummer Rocco Lombardi and Nico Duportal & His Rhythm Dudes) I spent the late afternoon taking street shots of lovely people dancing, chatting and eating in the “village” organized in the Bellinzona’s main square. On the secondary stage, “aperitif stage,” I shot Swiss band JC Harpo & Ardy Blues Band. It was an opportunity to test my new Olympus Zuiko 30mm f3.5 MACRO. ENJOY!