ZUIKO 75MM F1.8 REVIEW IN OLYMPUS PASSION


In the Olympus Passion July 2020 issue you can find my article on Zuiko 75mm f1.8 lens with frames of crime-writer and playwright Sam Millar, Grammy awarded trumpeter Leon Kid Chocolate Brown, guitarist and singer Dave Blenkhorn, Black Lives Matter protest and more. ENJOY!

BLACK LIVES MATTER IN MILAN

Across the Atlantic Ocean but in reverse… Beyond the words of essayist Paul Gilroy and artist Johny Pitts, the Black Lives Matter movement shouts <STOP Police Violence… STOP Racism>. In Milan as in Minneapolis. Black and white frames that leave the beauty of the melting pot in my mind… Time ago Italian the band Almamegretta sang “Athena was black”… Today it’s right to remember our common history so as not to make mistakes again. (All shots taken with Olympus OM-D E-M5 + Zuiko 17mm f21.8 + Zuiko 75mm f1.8)

SAM MILLAR

Some b&w portraits taken in Milan of Belfast crime writer and playwright Sam Millar. The whole photographic session was played on the balance between lights and shadows, as in a thriller. Thanks Sam, see you soon! (All frames taken at Libreria Linea d’ombra, January 29, 2020 with Olympus OM-D E-M5 + Zuiko 75mm f1.8)

“WINTER MIDSUMMER” PROJECT IN “CIEL VARIABLE”

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My Winter Midsummer – Milan during covid-19 photo project (in collaboration with Artespressione and Matteo Pacini) in Canadian Art Photo Médias Culture magazine Ciel Variable. ENJOY!

ARTESPRESSIONE PRESENTS MATTEO CESCHI’S “WINTER MIDSUMMER” PROJECT

Artespressione -Winter Midsummer essay

HI FOLKS, with my Winter Midsummer (Milan during Covid-19) photo essay a new collaboration starts with Paula Nora Seegy’s Artespressione Gallery, Milan. The project’s curator is Matteo Pacini who is following it as it develops.

ENJOY!

FREE DOWNLOAD: WINTER MIDSUMMER – MATTEO CESCHI – ENG

THE FUEL OF COMPETITION

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The crowd in the S.Siro South Stand moves and sings in unison, the team in heart and mind. But if you look closely at this three-dimensional mass, you can see the faces of the individual football supporters. Every face has a story. More than the football players’ performances, these faces have immediately attracted me and continue to attract me. These individual souls are the fuel of competition, but each also changes the dimension and profile of the mass. (All frames taken with Olympus OM-D E-M5)

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BREXIT COMIN’

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Just over a week to Brexit.
Brexit and Londoners show a hunched and at times uncertain gait.
This time I decided to abandon b&w and to choose color: I needed to record as much information as possible.
Through my lens colors became faded, people blurred.
Nobody seems to think about the future, they seem to prefer turning their backs on the troubling days to come.
I looked for the most frequent keywords used to describe Brexit in newspapers and… combined them with the frames.
BREXIT COMIN’… People remain…

ENJOY!

FREE DOWNLOAD PDF BOOK: BREXIT COMIN’

MILAN, DECEMBER 12… 1969-2019

 

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Memories and faces cut the darkness of the darkest Past. Men and women whisper the sad chronicle of a bombing. Milanese civil society once again remembers the citizens who were slaughtered by extreme-right violence. In Piazza Fontana people loudly condemn fascism. The public speakers speak. The flags flap. Eyes fire up. Another December 12 adds new memories to the heart of the city.

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EYES SHOULD SURVEY THE WORLD

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Jorge Agustín Nicolás Ruiz de Santayana y Borrás wrote: <A man’s feet must be planted in his country, but his eyes should survey the world.> This quote came to my mind as soon as I met Vancouverite songwriter Bocephus King at Ponkj bar in Milan.
That’s the reason I decided to take a bunch of shots before the live show began: I was curious to see what his eyes could tell me and how they kept surveying the world.
A few shots were enough to obtain amazing postcards from Bocephus King’s world.
Then there was a friendly chat – I’m a Vancouver lover.
The concert has begun and Bocephus King’s eyes have continuously surveyed and narrated the world. His feet were at the same time in Canada and in Milan when he started to sing Bonnie Dobson’s Morning Dew

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BEN WILLIAMS & SOUND EFFECT

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By its own nature jazz music is traditional/ist but jazz also knows how to find new directions for the future. During Ben Williams & Sound Effect’s recent show at Jazz Cat Club Ascona, jazz music has brilliantly proved it is capable to possess a vision that goes beyond the teachings of the past. In Ascona, composer, singer and bass player Williams presented his own idea of jazz. He enchanted the audience with a sonic melting pot: neo-soul, sampling, but also Beatles, Radiohead and Bob Dylan covers turned on the show. At the end of the performance, an emotional “The Death of Emmet Till” rendition showed how much the past is necessary to move in the present and imagine a cultural and social future. (All frames taken with Olympus OM-D E-M5 + Zuiko 75mm f1.8)

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