Gastone ai primi caldi, Milano, late May 2017 [FujiFilm X30]
Month: May 2017
GIGOLO
Gigolo, Milano, late May 2017 [FujiFilm X-M1]
ALLA RICERCA DELLA NATURA PERDUTA
Alla ricerca della natura perduta, Milano, late September 2016 [Rollei 35 LED +IlFord HP5]
SEVEN NOTES WILL SAVE THE WORLD
SEVEN NOTES WILL SAVE THE WORLD, Athens, early August 2007 [Kodak Easyshare C300]
Seven notes and music lovers will save the world! Fuck off to extremists!
#manchester #musicagainstextremists #meltingpot #freedom #sevennotesthatsavetheworld #sevennoteswillsavetheworld
INDICAZIONI SU DI UN ORIZZONTE CAMBIATO
Indicazioni su di un orizzonte cambiato, Milano, mid May 2017 [FujiFilm X-M1]
CHRIS CORNELL
Chris Cornell, Soundgarden’s live show, Milano, June 4, 2012 [Canon EOS 1100D]
REMOTECLICKING FIRST PHOTO PROJECT
Now on-line in free-download #remoteclicking (© 2017 Matteo Ceschi & Federico Ramponi) first photo project in Japan. Discover the noir side of “The Land of the Rising Sun”!
#remoteclicking #photoremoteclicking #remoteclicker #photoremoteclicker #remoteclick #photoremoteclick
DOWNLOAD: Remoteclicking JAPAN Book
L’UOMO CON LA SEDIA
L’uomo con la sedia (gialla), P.za Duomo, Milano, early April 2017 [FujiFilm X30]
REMOTECLICKING SHOOTING TECHNIQUE
REMOTECLICKING by Matteo Ceschi & Federico Ramponi: A shooting technique involving two people working in two different places and with different roles: a director and a remoteclicker. The first directs the second taking the shots with a compact camera previously set by the director. The location/set is the remoteclicker‘s choice. The director, on the other hand, chooses the narrative of the project (not communicated to the remoteclicker), the shots, the subjects, and the shutter speeds. Everything is done through mobile video technology. The project is always signed by the director and the remoteclicker.
REMOTECLICKING RULES:
1) The director must define a concept without sharing it with the remoteclicker
2) The director gives the remoteclicker a digital compact camera whose setting must remain unchanged from the start to the conclusion of the project
3) The remoteclicker should never inform the director about the selected locations
#remoteclicking #photoremoteclicking #remoteclicker #photoremoteclicker #remoteclick #photoremoteclick
© 2017 Matteo Ceschi & Federico Ramponi
Shooting number one, Tokyo, late April 2017 [Nikon Coolpix P6000]:
Shooting number two, Tokyo, late April 2017 [Nikon Coolpix P6000]:
INFISCHIANDOSENE DELLA PIOGGIA FESTIVA
Infischiandosene della pioggia festiva, Milano, early May 2017 [Olympus E-P2]
TELLING WITH MY EYES 