GRUNGE… THE BOOK TO COME…

THE BOOK TO COME... The history of Seattle music scene hidden behind the silhouette of one of its heroes… STAY TUNED! (Photo credits: Soundgarden, Milano, June 4, 2012)

IPA 2015 HONORABLE MENTION!!!

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I’ve just found on the web a piece of good news about my photo art; better to discover it late than never… WOW!!! An “Honorable Mention” at IPA Awards 2015!!!

FASHION SHOTS WITH MY HOLGA LENS

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Some backstage shots for Lucio Costa ‘s FW 18/19 made with my old Canon 1100D + HOLGA 60mm f8. Model: Barbora Vesela Volpe.

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AS HOMER TOLD…

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As Homer Told…, Mykonos, mid July 2018 [Canon 1100 D + HOLGA lens]

FAVOLA

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Favola, Milano, late May 2018 [Canon 1100D + HOLGA lens]

BLURRY LADIES IN THE DUNGEONS

Blurry Ladies in the Dungeons

Blurry Ladies in the Dungeons, Milano, late May 2018 [Canon 1100D + HOLGA lens]

CHRIS CORNELL

Chris Cornell, Soundgarden’s live show, Milano, June 4, 2012 [Canon EOS 1100D]

NAXOS AS CALIFORNIA IN THE SEVENTIES

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A series of b&w shots taken in Naxos, Cyclades, Greece, during the summers of 2015 and 2016 that remind me of California in the Seventies . No details reveal the real location of the set; just lines, contrast and shadows from a possible past. [Shots taken with Canon EOS 1100D, Ricoh GX100 and Olympus E-P2]

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LADY MADONNA

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Lady Madonna, S. Ambrogio, Milano, December 7, 2016 [Canon EOS 1100D]

A NEW F/50 PROJECT

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This short “summer series” – seven shots taken in Agios Prokopios, Naxos Island, Cyclades, during a period of 1 hour with a 50 mm lens – helped me explore the lines/feel of continuity between land and sea. I was probably looking for a personal sense of space where the horizon shapes a continuity across the shots. I was looking for a sense of surprise too – catching the amazing moment when the eyes alight on the water over the dunes. There definitely is a feeling of relief and amusement in each image to the extent that the horizon is “broken” or “interrupted” by humans: their familiar presence dares to leave the beach and embrace the water unconditionally.

SEE LAND-SEA: SHAPES OF CONTINUITY