Across the Atlantic Ocean but in reverse… Beyond the words of essayist Paul Gilroy and artist Johny Pitts, the Black Lives Matter movement shouts <STOP Police Violence… STOP Racism>. In Milan as in Minneapolis. Black and white frames that leave the beauty of the melting pot in my mind… Time ago Italian the band Almamegretta sang “Athena was black”… Today it’s right to remember our common history so as not to make mistakes again. (All shots taken with Olympus OM-D E-M5 + Zuiko 17mm f21.8 + Zuiko 75mm f1.8)
Some b&w portraits taken in Milan of Belfast crime writer and playwright Sam Millar. The whole photographic session was played on the balance between lights and shadows, as in a thriller. Thanks Sam, see you soon! (All frames taken at Libreria Linea d’ombra, January 29, 2020 with Olympus OM-D E-M5 + Zuiko 75mm f1.8)
The photographer’s militant arm to support Black Lives Matter (Milan, June 2020)
From the bistros to the streets, what the Parisians let you see is just a part of their everyday life. It’s a mind game – an “allowed theft” of moments and forbidden frames – that starts in the mind of the photographer. Paris as a hallway in a high-school: relate to a few schoolmates and ignore the rest of the world inside. Little Leica C Typ 112 is the perfect “invisible mate” to explore a reality which is apparently flat. High contrast black and white is the patois language allowing you to quickly understand and live the different situations around you. Everything that is happening in front of you can open the curtains of reality. A coffee with a friend; an ecological rally; perfect architectures and reflections; street art sketches; passers-by ad commuters. Even where the dark explodes, a blink of light survives for the photographer. Paris is… what the Parisians let you see, between the shadows and the lights.
The crowd in the S.Siro South Stand moves and sings in unison, the team in heart and mind. But if you look closely at this three-dimensional mass, you can see the faces of the individual football supporters. Every face has a story. More than the football players’ performances, these faces have immediately attracted me and continue to attract me. These individual souls are the fuel of competition, but each also changes the dimension and profile of the mass. (All frames taken with Olympus OM-D E-M5)
Just over a week to Brexit.
Brexit and Londoners show a hunched and at times uncertain gait.
This time I decided to abandon b&w and to choose color: I needed to record as much information as possible.
Through my lens colors became faded, people blurred.
Nobody seems to think about the future, they seem to prefer turning their backs on the troubling days to come.
I looked for the most frequent keywords used to describe Brexit in newspapers and… combined them with the frames.
BREXIT COMIN’… People remain…
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Jorge Agustín Nicolás Ruiz de Santayana y Borrás wrote: <A man’s feet must be planted in his country, but his eyes should survey the world.> This quote came to my mind as soon as I met Vancouverite songwriter Bocephus King at Ponkj bar in Milan.
That’s the reason I decided to take a bunch of shots before the live show began: I was curious to see what his eyes could tell me and how they kept surveying the world.
A few shots were enough to obtain amazing postcards from Bocephus King’s world.
Then there was a friendly chat – I’m a Vancouver lover.
The concert has begun and Bocephus King’s eyes have continuously surveyed and narrated the world. His feet were at the same time in Canada and in Milan when he started to sing Bonnie Dobson’s Morning Dew…
By its own nature jazz music is traditional/ist but jazz also knows how to find new directions for the future. During Ben Williams & Sound Effect’s recent show at Jazz Cat Club Ascona, jazz music has brilliantly proved it is capable to possess a vision that goes beyond the teachings of the past. In Ascona, composer, singer and bass player Williams presented his own idea of jazz. He enchanted the audience with a sonic melting pot: neo-soul, sampling, but also Beatles, Radiohead and Bob Dylan covers turned on the show. At the end of the performance, an emotional “The Death of Emmet Till” rendition showed how much the past is necessary to move in the present and imagine a cultural and social future. (All frames taken with Olympus OM-D E-M5 + Zuiko 75mm f1.8)
Sun, Steel and Sky, a new photo project realized with my fellows Keith Goldstein, Peter Barton and Steve Coleman. ENJOY!
Occasionally I decide to go out with an old 35mm camera… This happens now and then. I don’t have a wish to feel like Cartier Bresson, you see?
Maybe it’s because of Paris itself that I took out my Yashica GSN Electro 35 and went down in the streets of the Marais.
One hour was enough: the old Yashica GSN weighs a lot, but its autofocus was fast enough to capture the different souls of the neighborhood. 35mm “language” is different, perhaps today few understand its aesthetics… (a Rollei RPX400 roll film loaded in camera).